Skottie Young's Daily Warm-Ups

Skottie Young is one of my favorite artists. I bought a whole run of Cable and Deadpool just because he was doing the covers. Over on his blog, he regularly posts a selection of his daily warm up sketches, and they're pretty damned cool.

Here are a couple of my favourites:


So cool.

Movie: Conan The Barbarian Trailer

Grabbed this from Superhero Hype. I wasn't super sure about this, but seeing "A Game of Thrones" on HBO has helped win me over to Jason Momoa's side, and I think he can play a great barbarian warrior.

The Conan movie is slated for an August 19th release.

Kids are Weird

I was in a restaurant a few weeks ago with my honey. It was past 10pm.

Two kids walked into the place. They were about 10 years old. They walked in the door, through the isle to the back of the place, and then back to the front door, leaving the place. The staff and clients were all left in awe, and it was obvious that no one knew what had just happened.

The kids were in costume, for no discernible reason.

One was dressed as Superman wearing a bunny mask and ears.

The other was dressed as Darth Vader Spider-man. Spider-suit, but with a full Vader helmet and chest piece. The chest-plate was making the heavy breathing sound effect.

These were the coolest kids ever.

What Is Best in Life? X-Men Arcade Game

Comics Alliance delivers this news to me today:

The 1992 X-Men Arcade game will be available for android devices.

"The arcade game's been available on gaming consoles for the PlayStation Network and Xbox Live Arcade since the end of 2010, but the mobile version should be handy for those who game on the move. Android and iOS features include drop-in multiplayer via Wi-Fi for up to four mutants (all six of the original characters: Cyclops, Colossus, Wolverine, Storm, Nightcrawler and Dazzler), plus custom button placement on your device of choice's touch screen. Lefty's rejoice!"


Just as I'm about to begin shopping for a new phone, too.

Top Cow: First Look - Part 1

I picked up "Top Cow: First Look" last week, based on it's cover alone. The art didn't do much for me, but a 4.99 price tag was enough to entice me to give it a whirl. Actually, the rest of the cover design does leave something to be desired. It looks pretty lazily done, especially considering the goal of this book would be to entice new readers and sell them on what a great job Top Cow is doing.

The quick review: Top Cow is sort of doing okay, but not always.

I'll talk about the first three issues in the collection today, and save the next three for later.

First up is "Genius". Described by Top Cow:

"The Pilot Season 2008 winning team of Marc Bernardin & Adam Freeman (The Authority) and Afua Richardson (Cyblade) returns with Genius-a story of a young African-American military genius taking over LA's gangs."

It sounds liek a silly concept, but it was a fun read with bits of cleverness peppered throughout (even if some of those clever bits illustrated how to be a better domestic terrorist). The concept is basically a young woman, raised in South Central Los Angeles, has risen to take over and unify the gangs in her city, and declares war on the oppressors of her people, the LAPD.

Bernardin and Freeman obviously take a lot of their influences from "Boyz n the Hood" and N.W.A., and the dialogue feels like it's trying to be authentic, without it actually being authentic. The plotting is solid, however, and the Origin tale of a modern day Sun Tzu is compelling.

Richardson's art is pop-y and looks good on the page, but sometimes he makes strange decisions and the storytelling breaks down. Odd halos around characters, silhouettes, and confusing camera angles made me, at times, have to go back and reread the page to try and figure out what was going on.

"Genius" was a fun, but sometimes sloppy, read.

-

Next up is "Sunset", tagged by the publisher as:
"Sunset by Christos Gage (Avengers Academy) and Jorge Lucas (The Darkness) tells the tale of an old Vegas enforcer on a quest for revenge in his twilight years."

I know Christos Gage from his work on IDW's GI Joe books, and I quite like the slow burn drama he's able to build. This one starts off very similarly to Clint Eastwood's "Gran Torino", but there's a good twist at the end that stops it from being a heartwarming tale of the redemption of a cranky old man.

I hadn't really run across Jorge Lucas prior to this, but his art is serviceable, with similarities to Alex Maleev. I think he uses a bit too much digital processing, and it could benefit from a little more economy of the lines.

The set up was good, and I'm interested to see where Gage is taking the character, so this one was a pretty good preview. The benign beginning of the story is contrasted by the shock of the "ol' uber-violence" that jumps in at the end.

Comic Book Resources has an archived preview of the book here, if you wanna check it out.

-

Lastly, for today, is Mysterious Ways, which Top Cow describes thusly:

"Jason Rubin (The Iron Saint) and Tyler Kirkham (Green Lantern Corps) unveil the supernatural murder-mystery Mysterious Ways."

It's hard sometimes, I find, to review comics. This is usually true when I find a comic that I really do not like, and such is the case with "Mysterious Ways".

Right off the bat, Kirkham's art rubs me the wrong way, as it gave me a 1992 "Extreme Studios"/ Rob Liefeld vibe. Too many lines, too sketchy, and... an interesting take on the study of anatomy.

Once the art leaves me cold, it's very hard for a writer to bring me back into the fold, and in this case, Jason Rubin was not up to the task. The story, about an ex-con/former cop turned alcoholic who is possibly framed for a grisly murder is seemed in "Spawn"-like melodrama and lacks any real emotional content. The min character spends nearly the entire book drunk and that prevents the reader from ever getting a chance to relate to or engage him, and the mystery just sort of falls flat because there's no one to care about.

-

That's it for now. I'll review the other 3 issues in the book sometime later.

DC Do-over?

It is being reported that DC Comics is... starting over.

All of it.

Everything you've read since Crisis in '86. That's done. Story over.DC comics will publish 52 #1 issues in September, rebooting their entire universe. I guess Superman can be an American again, now.

I dunno what to make of this. I am a huge fan of continuity, but at the same time, this isn't selective changing of the past, this is a fresh start for the entire line, and I think that can be a little bit interesting.

I'm sure I'll have more on this as my brain adjusts.

Movies: Thor

I finally went to see "Thor" this weekend, kicking off another big summer of comic book movies (next up is X-Men: First Class, with Green Lantern and Captain America to follow).

The quick review; Thor was fun. Be warned, for from here on in, spoilers will follow.

The movie was directed by Kenneth Branagh, the actor who does have some directorial experience, but mostly for Shakespearean adaptations (As you Like It, Hamlet, Much Ado About Nothing) and not for huge summer blockbusters.

(Two things here; the Branagh version of "Much Ado About Nothing" is one of my all time favorite movies, and if you are at all amused by sarcasm and whip-crack verbal exchanges, I highly recommend it. Secondly, on the topic of blockbusters, the Blockbuster video store in my neighborhood is going out of business. I worked there for 4 years when I was in college, and both of my sisters worked there after me, two years a pop. Internet/Netflix, this is on your shoulders, and while I do not mourn the late fees and the dusty shelves, there is something valuable in having a wisened clerk tell you that your choice is in fact an awful movie.)

Back to Branagh, he did a good job mixing the glories of Asgard with the humble American New Mexico, while at the same time, borrowing from "Iron Man" actor-turned-director Jon Favreau, and making the movie a light hearted action romp. Thematically, it is very close to the 2008 "Iron Man", in that a bad boy learns a valuable lesson about responsibility and mans up in time to save the day. (Also, SHIELD shows up to meddle a little bit.)

I'm amazed that the writing made as much sense as it did, considering this is the writing crew:

Writing credits

Ashley Miller (screenplay) (as Ashley Edward Miller) &
Zack Stentz (screenplay) and
Don Payne (screenplay)

J. Michael Straczynski (story) and
Mark Protosevich (story)

Stan Lee (comic book) &
Larry Lieber (comic book) &
Jack Kirby (comic book)

That is a lot of cooks for one broth, but they did okay. The movie also borrowed a bit from the great Walt Simonson run in the 80's, (like the Casket of Ancient Winters, amongst other things), so he should get a nod, too.

On to the casting. Chris Hemsworth as Thor was a far better pick than a)I expected, and b)the actor that played Thor in his first appearance in film. He does a good job of being both fierce and war-happy, and then softening up both to turn into a well rounded hero. He does a good job. Nathalie Portman plays Jane Foster, no longer a nurse, but now an astro-physicist. She's very good at playing a cute love interest, but it's not her finest role, and she plays it a little bit softer than she could have.

The star of the movie, for me at least, was Tom Hiddleston as Loki, who does an excellent job of playing the god of thunder's less-loved brother. He's very expressive on screen, often wearing an expression of pained resignation mixed in with just enough insincerity that makes you almost feel for him while at the same time knowing that you shouldn't and he's just faking you out. It's very subtle and it works wonderfully. Loki is the choice role of this film, and my favorite part of the script is that while Loki possesses the powers of an Asgardian and the skill of a wizard, he is at his most destructive when he is simply lying to people. The script is written so even the viewer is not certain when he's telling the truth or not, and that makes his inevitable betrayals even more devious, as the view now has to hate him for fooling him as well. It is really quite fun to watch.

The rest of Asgard is filled with great characters, and seeing Heimdall, Sif, the Warriors Three and Odin is really a treat for the fans of the comic, and shows you how a comic movie can be full of character without having them get in the way (I'm looking at you, Spider-Man 3).

All in all, "Thor" was good times, lived up to the trailer, and was worth seeing in the theaters.